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His artistic influences
Quite young, he is interested in great Italian and Flemish schools, among others. Painters such as Rembrandt, Vermeer, Michelangelo, Gericault, Caravaggio and Titian him to discover the chiaroscuro lighting and the composition and capture his attention for several years.
Just like the history of art, his study continues with the world of William Tuner and Impressionism.
It explores with passion, the works of Monet, Cezanne, Manet, Renoir, Van Gogh, Gauguin and other Impressionist painters and absorb the technique of Signac, Seurat and Braque.
The work of printing the captive, but not autan than light.
The study of the law on simultaneous contrast of colors will result in the Chevreul developed his own technique.
His journey continues to Picasso, Bernard Buffet, Cathelin ... , Always in search of light, and now the movement by applying the sign and composition.
His Path
Jean-Jacques Marie is a painter whose variety of choice of subjects and their interpretations may surprise. In fact, each work is the support of his passionate study of light and the emotional feeling through color.
Long time, he continued, unabated, reflecting on the simultaneous contrast of colors, the principle can be summarized briefly: The perception of each color depends on those around him.
He noted that this principle also applies to overlays, not just juxtapositions of keys. So that the colors we see are not actually present on the canvas but are the result of the mixture that makes our eyes.
This is the secret of his skies so deep and its atmosphere so dependent on ambient lighting. But an artist like Jean-Jacques Marie, can not remain fixed on the achievements so strong they are.
His "love", because that is what it is, and his passion for painting are the vectors of its evolution. His observant eye of all that surrounds the guide now to write a much more refined where only the sensations and emotions are transcribed.
Few artists are able to control this stage and we can expect to see very soon, works strange approaching the spirit of the cave paintings of Lascaux, where the color will be his only tool, where the symbolism will be decor; a pure concentrate of sensations.
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